Documentary Screening: "The Strike" + Filmmaker Q&A

Join RTF Assistant Professor Iliana Sosa's Intro to Documentary Production class in CMB Studio 4C for a conversation with filmmaker JoeBill Muñoz and a screening of his feature documentary, The Strike. The Strike tells the story of a generation of California men who endured decades of solitary confinement and, against all odds, launched the largest hunger strike in U.S. history.

Filmmaker Bio

JoeBill Muñoz is an award-winning Mexican-American documentary filmmaker and the director and producer of The Strike. He has directed short films for Independent Lens and NBC and produced feature films and television series for Left Right Media, the New York Times Presents, Hulu, and more. His work has been supported by Sundance, New America, and Firelight, and he was recently named to DOC NYC’s 40 under 40 list of documentary filmmakers.

More about the Film

Amidst the redwood trees on the California-Oregon border sits one of the most infamous prisons in US history. Pelican Bay is a labyrinthine construction of solid cement blocks – a supermax prison – opened in 1989 and designed specifically for mass-scale solitary confinement. For decades, it held men alone in tiny cells indefinitely. Then one day in 2013, 30,000 prisoners went on hunger strike. 

THE STRIKE weaves together, thread-by-thread, a half century of personal and criminal justice history into a single, compelling narrative around the drama of the 2013 hunger strike to end indefinite isolation. Grounded in testimonies from the hunger strikers themselves, the film details how the protest was conceived from a whisper inside the halls of Pelican Bay to a colossal feat across California prisons. With unprecedented access to state prison officials and never-before-seen footage from inside Pelican Bay, THE STRIKE reveals the panic that gripped the highest echelons of state government.

Told through the stories of the men who bore the brunt of this practice, THE STRIKE goes beyond making a case against solitary confinement; it illuminates the power of organizing and prisoner-led resistance, and in doing so, flips the true-crime genre on its head.